AllThatFall…

June 26th, 2008

Middlemarch

Posted by Kevs in Gushes, Plays, Lives

Rehearsal


This past weekend was absolutely incredible! My good friends Erik Schoster and Bryan Teoh from LuvSound.org stopped in New Orleans on the last leg of their Middlemarch tour, in support of Erik’s new album “Middlemarch” out now on Audiobulb. I was really honored to open for them at Zeitgeist Multi-Disciplinary Arts Center and McKeown’s Books. They’re amazing guys and brilliant musicians!

Pictures of the weekend’s two phenomenal performances can be found here!

We’re currently editing a ton of video and audio from these performances, and I’ll post here when it’s available. Until then, check out this gorgeous video by Bryan!

In other news, I’m nearing completion on my first album since 2005’s “hopecrash”. This one is tentatively titled “How Much We’ve Got”, and will hopefully appear on LuvSound.org sometime before next year.

May 28th, 2007

Live at the Saturn Bar, New Orleans, 19 May 2007

Posted by Kevs in Plays, Lives


April 9th, 2007

We Heart File Sharing!!!

Posted by Kevs in Gushes, Grows, Plays, Lives

We Heart File Sharing!!!

It’s been a lovely few days! I just played a fun show at a really neat art/salvage/recycling place called the Green Space. I’ve posted a recording of the show on my music page, and the patch I made for the occasion can be found in the Max/MSP section! Pictures to come soon!   

And I’ll be doing a dj set with fellow Panda Kamander Amanda, on the 20th at the Pop Bar… If you’re in New Orleans please show up ready to daaaance! We’ll be playing super hip indie-dance stuff! Check us out at WeHeartFileSharing.com! (^_^)b  

March 14th, 2007

Playing forward, rewinding, flitting forward again…

Posted by Kevs in Plays, Lives

New Orleans Independent Sound Experience

The McKeown’s show on the 10th went awesomely! I was soo00o happy to see all my friends there; it really made it a special night. Thank you all; especially my Human Genetics masters program buddies, who probably had no clue what they were in for! (^_-) And thank you’s to Maggie Mckeown and Charlie Engstrom, for hosting such an awesome night!
 

My set was all about exploring this idea of loss and return. Sort of about “eternal return”; an idea, I believe, of Nietzsche’s, which I picked up by way of Kundera’s The Unbearable Lightness of Being. I used field recordings I made one beautiful day, years ago, with an old girlfriend. I left in all the moments when we talk… Me, for instance, saying “that was a great sound, sweetie”; or her telling me to record as she runs across an old basketball court to send a flock of birds into flight.  Towards the end, you hear a tape playing forward, rewinding, flitting forward again; one of my favorite sounds. (^_^)
 

I’m pretty happy with how the performance went, on a technical level. My max patch held together pretty solidly… though some sort of weird, buffer-y intermittent noises started popping up into the mix about an hour before I went on. Fortunately, it behaved fairly well during the set. (As soon as she’s fixed, I’ll post her in the max/msp section.) And I only unplugged my main out cables twice! BBbbZZzzRppp! I was quite nervous, so my singing was a bit subdued and I kept it low in the mix; but I think it went well enough for my first time! You can listen to it here!
 

Unfortunately, my little field recorder ran out of gas, cause I would have looooved to record the evening’s two other acts. Helen Gillet was incredible! I hope to start taking cello lessons from her soon! Bryan and Trey’s modular synth/ feedback mixer set was awesome as always. They’ve got this great interpersonal dynamic; wherein Bryan will squiggle something on the synth, and Trey will simply bust out with a laugh. You can tell they really love their sound. It was an experience, as always!
 

Next up, I’ll be playing a 20 minute set at the Big Top on Clio St, as part of this year’s New Orleans Independent Sound Experience. It’s going to be a really amazing day, with something on the order of 17 different acts performing. I plan to change my set up quite a bit… so please come out! (^_^)b
 

March 4th, 2007

an Evening of Difficult Music

Posted by ksgipson in Listenings, Returns, Grows, Plays, Lives

McKeowns

I’ll be playing on Saturday, March 10th. It’s #7 in the Difficult Music series at McKeown’s Books. Aside from my own bit of stumbling folktronica, there will also be performances by cellist Helen Gillet, and by sound artists Bryan Killingsworth and Trey Smith. I think it will be a really cozy, interesting night; and I believe there will be free beer.

I’m really excited/ nervous about it… I’ll be playing some new songs which require a bit of singing, which I’ve only done alone in my car up till now! Eek! Hopefully though, I won’t lose my nerve, and my laptop won’t crash, and everything will go just fine! (^_^)b

Ostensibly, we’ll start at 8, and I’m up first… but no promises for timeliness! Hope to see you there!


January 26th, 2006

Mousing Around

Posted by Kevs in Mechanisms, Reads, Plays

Stompbox

I’ve posted two new patches to the Max/MSP section… One is a little obfuscation of mine that happens to make interesting sounds from time to time. The other is my first experiment with interfacing Max/MSP with the MPC 2000. This patch lets you sample in real time and then cut up the sample using the MPC pads. It’s a bit esoteric and it’s only monophonic at the moment, but I definitely plan to pursue this patch a little further. Also, a BCR 2000 is in the mail, speeding its way towards my loving arms at this very moment! Between this and the MPC, I shouldn’t have to do much mousing around during shows, and I’ll have a much more immediate and visceral control of my patches (or that’s the idea).

In other news, my latest (and actually not-quite-finished) track “Keeping Birds” popped up on the local college station yesterday. That’s always a super-nice feeling, too, hearing your own stuff! Thanks WTUL! I’ll have to post the finished version soon…

Bookishly, I’m splitting my time between Twisty Little Passages by Nick Montfort, and Brian Greene’s The Fabric of the Cosmos. Dork out!